#Yyoutube o cessate di piagarmi software

Once committed to the track, its hard to undo things if you aren't pleased with the result, especially with reverb.

#Yyoutube o cessate di piagarmi software

Good equipment and software can make this so low as to be almost inaudible to most people most of the time but it some case people can be very sensitive to even a short delay. Latency is the delay heard between making a sound, or say striking a note on a synth, and hearing the actual sound. *Just in case you are a bit lost there Daria. If you want me to I can draw you a (v crude!) diagram of how I think the mixer and AI will work together.Д¬an I ask, do you have the piano part actually playng in the room as you sing and if so from what? I would not suggest a mixer in the vast majority of cases but for you I think it is the way to go. I suspect the FEAR of going into the red has some effect on her performance and of course such compression has to be used before the signal hits the interface.Дaria, I am sorry this is all getting rather complicated and that I am suggesting you spend quite a bit more money. The same logic I think applies to the compression. I agree that she should record dry and only add reverb post tracking when it can be controlled, always keeping the original take of course. This is not the usual 'ego' verb that pop singers have but an attempt to simulate her natural surroundings. Sure, latency is often not much of a problem with a whiff of reverb to most singers but the effect might be very off putting in the 'precision' world of opera.Дaria also want the reverb to assist her performance because of the small room (we all THINK we sound better in the bath!). Keith: I cannot see how Daria can avoid some latency* using her AI and a DAW because the signal has to be processed and come out again. In any case, I would be interested to know if this is a direction that Derya thinks might be helpful. Sometimes you think its set PERFECTLY, and upon playback its way too much or way too little. I threw a limiter on just to take the peaks down a dB or 2. To me it sounded quite nice, and with the fact that the original vocal was actually done in a smaller room, I thought it had a bit more clarity to the vocal. I settled on the ArchDuke M/S, set at -36dB below the dry signal. I kept it a bit strong to try to sound like a hall recording. I listened to the other posts from Derya's Youtube page, and then started playing around with some of the hall reverbs (Briscati M7 responses from Samplicity). I did a bit of playing with the extract audio that Dave posted of her recording.

Just make sure that the vocals are recorded at a proper max level and add the echo for playback. Coming in post recording there shouldn't be any issue with latency.